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C. Comprehension: Understanding and Responding to Texts · Reading Like a Critic: Understanding and Responding to Texts

Reading Like a Critic: Understanding and Responding to Texts: Unit Review

A1.1 A1.2 A2.3 A2.4 A2.5 A3.1 A3.2 A3.3 C1.1 C1.2 C1.3 C1.4 C1.5 C1.6 C1.7 C2.1 C2.2 C2.3 C2.4 C2.5 C2.6 C2.7 C3.1 C3.2 C3.3 C3.4 C3.5 C3.6 C3.7 C3.8About 40 minutes
Learning goals
  • I can show what I learned about reading, analyzing and evaluating poetry, short fiction, drama, informational and media texts.
  • I can find which lessons I need to review.

Words to know

analysis
Explaining how parts of a text work and why they matter, using evidence.
evidence
Specific details or quotations from a text that support a point.
synthesis
Combining ideas from several sources into a new understanding.
Indigenous Storywork
An approach to stories based on seven principles described by Jo-ann Archibald (Q'um Q'um Xiiem).

Let's review!

In this unit you read poetry, short fiction, drama, informational and media texts, and texts by First Nations, Métis and Inuit creators. You compared forms and genres (including the ghazal), traced patterns and features, cracked complex sentences, and practised predicting, monitoring, summarizing and synthesizing. You analyzed style, point of view, literary devices, inferences, visual design, credibility, bias, cultural elements and the influence of history, and you reflected on your own strategies.

This review has a few questions from every lesson. Try each one, then press Show answer. If a part feels tricky, go back to that lesson.

C1 Knowledge about Texts1. Forms, genres, ghazal2. Patterns and features3. Complex texts5. Elements of style6. Point of view9. Visual and media design14. Indigenous StoryworkC2 Comprehension Strategies1. Choosing for a purpose3. Prior knowledge4. Predict, monitor, fix up11. Connect and synthesize16. Reflecting on strategiesC3 Critical Thinking7. Literary devices8. Drama and inferences10. Credibility12. Perspectives and bias13. Cultural elements15. How history shapes texts16. Assessing my thinking
The unit at a glance, sorted by the three overall expectations of Strand C. Some lessons appear twice because they teach skills from two expectations.

How to use this review

  1. Do the questions without looking back first.
  2. Mark each one: got it, half, or missed.
  3. For any lesson with two or more half or missed, reread that lesson's worked examples and redo its Your turn.
  4. For analysis questions, use the name, quote, explain, link frame below. Your answer doesn't need to match the sample word for word; check that it has the same key ideas and evidence.
  5. Finish with the 10-question quiz.
1. NAME itthe device, featureor choice2. QUOTE itshort evidencefrom the text3. EXPLAINthe effect onmeaning4. LINKto purpose, audienceor themeExample: Juxtaposition. "Outside ... music; inside ... silence." It contrasts new and old,which supports the theme that progress has a cost.
A four-step frame for any analysis answer in this unit. Most lost marks come from stopping after step 1 or 2.

Text Forms, Genres and Cultural Forms, and Choosing Texts for a Purpose

1

Is tragedy a form or a genre? Is short story a form or a genre?

2

In a ghazal, what is the difference between the radif and the qafia?

3

Your purpose is to understand how a wildfire evacuation felt for people in a northern community. Choose two suitable texts and explain.

Text Patterns and Features: Compare and Contrast, Footnotes and Copyright Information

1

Name the pattern and signal word: Unlike paper maps, phone maps need charging.

2

What can a copyright page tell you about how current a book is?

3

Why might a translated poem need footnotes?

Reading Complex Texts: Grammar, Cohesive Ties, Sentence Structure and Background Knowledge

1

Rewrite in the active voice: The rink was flooded by the volunteers at midnight.

2

Unpack the nominalization: the reduction of algae.

3

Find the core: The arrival of the ships, which had travelled for weeks across the Atlantic, changed the lake.

4

Name one source of prior knowledge (other than school) that can help with a new text.

Predicting, Questioning, Monitoring and Fixing Up Comprehension

1

What is the difference between confirming and refuting a prediction?

2

A reader can't follow who they refers to. Name the problem type and a strategy.

3

Which detail in Do Not Open Until Spring foreshadows the seeds?

Elements of Style: Voice, Word Choice, Word Patterns and Sentence Structure in Poetry and Prose

1

Name the four elements of style.

2

What is the effect of putting can walk alone on the final line of Snowplough, 4 a.m.?

3

Who is the speaker in "In Flanders Fields"?

4

Why do fragments suit a suspense scene but not a news report?

Narrative Point of View: Limited, Omniscient and Unreliable Narrators

1

Identify the POV: I told myself it didn't matter.

2

Give one clue that a narrator is unreliable.

3

What would be lost if "The Best Project in the Gym" were told by an omniscient narrator?

Literary Devices: Allusion, Analogy, Juxtaposition and Flashback

1

Name the device: Their friendship was the Achilles' heel of the team.

2

How is an analogy different from a simile?

3

What usually signals a flashback in a past-tense story?

Reading Drama and Making Local and Global Inferences

1

What is subtext?

2

Local or global inference? Dev's joke "Forty-one" shows he cared about being cut.

3

Explain the dramatic irony in Juliet's balcony speech.

Images, Graphics and Visual Design in Media Texts

1

What makes an element appear first in a visual hierarchy?

2

What does a high camera angle often suggest about a subject?

3

Why must a video for a phone feed have captions?

Just for fun

Review riddle: what has a spine, many leaves and no bones?

A book. (A maple tree has leaves too, but it's terrible at plot twists.)

Credibility, Reliability and Significance: Analyzing Information and Drawing Conclusions

1

Credible, reliable, significant: which question does Is it about my town and time? belong to?

2

Why aren't 600 likes evidence that a post is true?

3

What is lateral reading?

Connecting, Summarizing and Synthesizing Across Texts

1

Name two things a summary should not include.

2

What makes synthesis different from summary?

3

Make this conclusion effective: Gardens are good.

Perspectives and Bias; Diversity, Inclusion and Accessibility in Texts

1

Give one example of loaded language and a neutral replacement.

2

What does Nothing about us without us mean for writers?

3

Name two features that make a media text accessible.

Analyzing Cultural Elements: Norms, Values, Social Hierarchy, Past Times, Language and Taboos

1

Name the six cultural elements in C3.4.

2

What hidden cultural element does Lola's armchair show?

3

Why investigate past times before judging Juliet's choices?

Reading First Nations, Métis and Inuit Texts Through Indigenous Storywork

1

Name the seven Storywork principles.

2

Match: Maria Campbell, Alootook Ipellie, Tomson Highway.

3

Give one way to practise reciprocity after reading a text by an Indigenous creator.

How History Shapes Texts by First Nations, Métis and Inuit Creators

1

What historical condition does Someday respond to?

2

Why is the 2012 publication of Indian Horse significant?

3

Give one current lived experience connected to these texts.

Reflecting on My Reading Strategies and Critical Thinking, and Setting Goals

1

What does SMART stand for?

2

Which strategy usually suits a dense article better: summarizing or predicting? Why?

3

Turn I'll get better at spotting bias into a SMART goal.

Check your understanding

Quiz

1.

Which pair is correctly labelled form / genre?

2.

In the point-by-point method, each body paragraph...

3.

The decision was made last night. What does this passive sentence hide?

4.

A narrator says I wasn't nervous at all and then runs out of the room. This suggests the narrator is...

5.

It was the best of times, it was the worst of times is an example of...

6.

Which source is most significant for a question about bike-path safety in your own town this year?

7.

Which is the best summary sentence?

8.

Quoting only one person who opposes a project, and leaving out those who benefit, is evidence of...

9.

Which statement about First Nations, Métis and Inuit creators is accurate?

10.

Which goal is SMART?

For parents and teachers

What this review covers: every lesson in the unit: C1.1, C1.2, C1.3, C1.4, C1.5, C1.6, C1.7, C2.1, C2.2, C2.3, C2.4, C2.5, C2.6, C2.7, C3.1, C3.2, C3.3, C3.4, C3.5, C3.6, C3.7, C3.8 (with A1.1, A1.2, A2.3, A2.4, A2.5, A3.1, A3.2, A3.3 woven in).

Which lesson to revisit:

  • Mixes up form and genre, or can't explain how a form's features shape meaning: revisit Text Forms, Genres and Cultural Forms, and Choosing Texts for a Purpose.
  • Can't name a text pattern, or ignores footnotes and copyright information: revisit Text Patterns and Features: Compare and Contrast, Footnotes and Copyright Information.
  • Gets lost in long sentences, passive voice or pronouns: revisit Reading Complex Texts: Grammar, Cohesive Ties, Sentence Structure and Background Knowledge.
  • Makes predictions without evidence, or uses the wrong fix-up strategy: revisit Predicting, Questioning, Monitoring and Fixing Up Comprehension.
  • Names poetic devices without explaining their effect: revisit Elements of Style: Voice, Word Choice, Word Patterns and Sentence Structure in Poetry and Prose.
  • Confuses limited and omniscient, or calls a narrator unreliable without evidence: revisit Narrative Point of View: Limited, Omniscient and Unreliable Narrators.
  • Mixes up flashback and foreshadowing, or analogy and simile: revisit Literary Devices: Allusion, Analogy, Juxtaposition and Flashback.
  • Skips stage directions, or makes inferences without support: revisit Reading Drama and Making Local and Global Inferences.
  • Describes visuals without evaluating them: revisit Images, Graphics and Visual Design in Media Texts.
  • Trusts sources by looks or popularity: revisit Credibility, Reliability and Significance: Analyzing Information and Drawing Conclusions.
  • Writes long or opinionated summaries, or lists instead of synthesizing: revisit Connecting, Summarizing and Synthesizing Across Texts.
  • Calls everything biased, or misses whose voices are absent: revisit Perspectives and Bias; Diversity, Inclusion and Accessibility in Texts.
  • Sees culture only as food and festivals: revisit Analyzing Cultural Elements: Norms, Values, Social Hierarchy, Past Times, Language and Taboos.
  • Treats all Indigenous peoples as one, or speaks only in the past tense: revisit Reading First Nations, Métis and Inuit Texts Through Indigenous Storywork.
  • Can't explain how history shaped a text, or connect it to today: revisit How History Shapes Texts by First Nations, Métis and Inuit Creators.
  • Writes vague reflections or goals that can't be measured: revisit Reflecting on My Reading Strategies and Critical Thinking, and Setting Goals.

Tip: Grade 9 English is about analysis with evidence. When your teen answers, ask: "What's your evidence? What does it do? Why does it matter?"