Grade by Grade
B. Drama / D. Visual Arts · Drama and Visual Arts

Drama: Themes and Traditions Across Times and Places, and Theatre in Our Community

B3.1 B3.2About 45 minutes
Learning goals
  • I can describe some drama and theatre traditions from different times, communities and places.
  • I can identify themes that appear in drama from many traditions.
  • I can describe key contributions that drama and theatre make to a community.

Words to know

tradition
A way of doing things that is passed down over time within a community.
chorus
In ancient Greek theatre, a group of performers who spoke, sang or chanted together and commented on the action.
stock character
A character type that audiences recognize right away, used again and again in a tradition, like the clever servant in commedia dell'arte.
improvise
To make up words and actions on the spot.
trickster
A clever, playful character found in stories from many cultures, who breaks rules and often teaches a lesson.
playwright
A person who writes plays.
community theatre
Theatre made by and for people in a local community, often by volunteers.

Remember from Grades 3 to 5

In Grade 3 you met forms like mime, puppetry and readers' theatre, and traditions such as Noh and commedia dell'arte. In Grade 4 you compared process drama and theatre productions, from ancient Greek theatre to the Stratford Festival. In Grade 5 you explored wayang kulit, griot storytelling and winter storytelling, and met the people behind a play.

In Grade 6 you will look for themes that appear in drama from many times and places, and think about what drama and theatre contribute to a community.

Same story, different stage

A clever character tricks someone much more powerful. The audience laughs and cheers. Where are we?

It could be a street in Italy in the 1500s, a theatre in Toronto today, or a story told in many other places. Some themes, like the clever underdog, pride before a fall, love and loss, or caring for community, show up in drama again and again across the world, because people everywhere care about them. But each tradition shows them in its own way.

An empty theatre with a stage that reaches out into the seats on three sides.
On a thrust stage like this, the audience sits on three sides, so actors must think about everyone who is watching. AI-generated image

Four traditions, many themes

Ancient Greek theatre (Greece, about 2,500 years ago). Plays were performed at festivals in honour of the god Dionysus, in huge outdoor theatres built into hillsides. Actors wore masks, and a chorus spoke or sang together to comment on the action. Tragedies often showed powerful people whose pride led to their downfall, and explored fate, justice and hard choices. Comedies made fun of powerful people and politicians of the time.

Commedia dell'arte (Italy, from the 1500s). Travelling companies performed in town squares. Instead of a full script, actors improvised from a short plot outline. They played stock characters in leather half masks: clever, hungry servants like Arlecchino (Harlequin), a greedy old merchant named Pantalone, and young lovers (who did not wear masks). A favourite theme: young love and clever servants outwitting their masters.

Noh (Japan, from the 1300s, still performed today). Noh uses slow, carefully controlled movement, carved wooden masks, chanting and a small group of musicians. Many Noh plays feature ghosts or spirits who return to tell their story, exploring themes of memory, loss and peace.

Indigenous theatre in Canada today. First Nations, Métis and Inuit artists create theatre that tells their own stories in their own ways. Tomson Highway is a Cree playwright from northern Manitoba. His play The Rez Sisters is about seven women from a First Nations community on Manitoulin Island who dream of winning a giant bingo game. The trickster Nanabush also appears in the play. Themes include community, dreams and identity, with lots of humour.

skeneorchestratheatron(seats)stage building
A bird's-eye plan of an ancient Greek theatre. At the top is the skene, a stage building. Below it is a round orchestra, where the chorus performed. Curving rows of seats, the theatron, wrap around the orchestra like a fan.
ThemeWhere it appearsHow it is shown
The clever underdog / trickstercommedia dell'arte; Indigenous theatre (Nanabush); Anansi stories (Grade 5)a servant or trickster uses wit to beat someone more powerful
Pride before a fallancient Greek tragedya powerful character won't listen and loses everything
Memory and lossNoha ghost returns to tell its story in slow, powerful movement
Community and identityIndigenous theatre in Canada today; many community playscharacters find strength in their community, language and stories
Themes that travel across drama traditions
Drama traditions from this lesson, in time orderabout 2,500 years agoancient Greektheatrefrom the 1300sNoh(Japan)from the 1500scommedia dell'arte(Italy)todayIndigenous theatrein Canadanot to scale: the dots are evenly spaced
The four traditions in time order. Themes like the clever underdog or memory and loss travel across all of these times and places.

What does theatre give a community?

Drama and theatre make key contributions to communities, from small towns to the whole country:

  • Bringing people together. A school play, a community theatre show or a festival gathers neighbours in one room to laugh, think and talk.
  • Telling local stories. Plays can share a town's history, a family's journey or a community's language. French-language theatres in Ontario, such as Théâtre du Nouvel-Ontario in Sudbury, create plays in French. Indigenous theatre companies, such as Native Earth Performing Arts in Toronto, share Indigenous stories.
  • Raising awareness. A drama can get people talking about an issue, like the Cedar Hill garden.
  • Jobs and the economy. Theatres employ actors, directors, designers, carpenters, costume makers, technicians and ushers. Visitors to a theatre often eat in restaurants and stay in hotels nearby. The Stratford Festival in Stratford, Ontario, which began in 1953, brings visitors to the town from across Canada and around the world.
  • Learning and confidence. Drama helps young people practise speaking, cooperating and understanding others.
Worked example

Example: Comparing a theme across two traditions

Let's compare the clever underdog theme in commedia dell'arte and in a trickster story.

  1. Commedia: Arlecchino is a poor, hungry servant. He tricks the greedy merchant Pantalone to help the young lovers. He uses quick wit, acrobatic movement and a half mask.
  2. Trickster (Nanabush): in Anishinaabe stories, Nanabush is clever and sometimes foolish, and stories about him often teach lessons. In The Rez Sisters, Nanabush appears in different forms.
  3. Same: both characters are clever, playful and break rules, and audiences enjoy their tricks.
  4. Different: Arlecchino is a stock character in Italian street theatre made to make crowds laugh. Nanabush comes from living Anishinaabe teachings and has deeper meaning for the community; some stories are told only in certain seasons.
  5. What it tells us: a theme can travel, but each tradition reflects its own community's beliefs and values.

The clever underdog theme appears in both traditions, but each one shows it in a way that reflects its own time, place and community.

Worked example

Example: Mapping theatre in your own community

Where does drama happen in your community? Let's make a map.

  1. School: the spring play, the Grade 6 class drama, a drama club.
  2. Library or community centre: a children's storytime with puppets, a summer drama camp.
  3. Local theatre group: a community theatre that puts on a show each winter, run by volunteers.
  4. Festivals and events: a holiday parade with performers, an outdoor summer play in the park.
  5. Contributions: brings neighbours together (the winter show), gives kids confidence (drama camp), creates jobs (a professional theatre) and raises money for a cause (a benefit show).

Drama happens in many places in a community, and each one contributes something: connection, learning, jobs or awareness.

Just for fun

The word theatre comes from the ancient Greek word theatron, which means "a place for seeing". So, technically, your living-room couch might be a theatron too! 🛋️

Learning about traditions respectfully

  • Use the correct names: Noh, commedia dell'arte, Nanabush.
  • Present Indigenous theatre as living and present-day, made by real artists and communities today.
  • Some stories and characters belong to certain communities and are told only in certain ways or seasons. Learn from books, plays and recordings by Indigenous artists, or from community members who have been invited to share.
  • Compare traditions to understand, not to rank them.
Hands-on activity

Masks, choruses and a community map

You need: paper plates or cardboard, scissors (a grown-up helps), crayons or markers, string or a craft stick, and paper and a pencil.

Part 1: Greek chorus. With family members, choose a short line about the Cedar Hill garden, such as "The garden grows, the town decides, but who will speak for the bees?" Say it together, all at the same time and rhythm, like a chorus. Try it whispered, then strong. How does speaking as a group change the impact?

Part 2: Stock character half masks. With a grown-up's help cutting, make a half mask (covering the eyes and nose, mouth free) for a stock character you invent, like "the know-it-all" or "the worrier." Improvise a 1-minute scene from a plot outline: The worrier hides the class pumpkin; the know-it-all tries to find it.

Part 3: Community theatre map. Draw a map or list of places where drama happens in your community (school, library, community centre, a theatre, festivals). Beside each, write one contribution it makes.

Your turn

1

Name two features of ancient Greek theatre.

2

What is a stock character? Give one example from commedia dell'arte.

3

Describe two features of Noh theatre.

4

Name a theme that appears in more than one drama tradition.

5

Who is Tomson Highway?

6

Give three key contributions theatre makes to a community.

7

Why is the Stratford Festival important to the town of Stratford's economy?

More practice: warm-up

1

In which country did Noh begin?

2

In which country did commedia dell'arte begin?

3

What is a chorus in Greek theatre?

4

What does improvise mean?

5

Name one place in a community where drama can happen.

More practice: on your own

1

Why do you think Greek actors wore masks in such large outdoor theatres?

2

How is a stock character different from an authentic character (from Lesson 2)?

3

Explain how theatre can help keep a language alive in a community. Give an example.

4

Compare the pride before a fall theme in a Greek tragedy with a story or movie you know.

5

A town wants to cut the budget for its community theatre. Write two arguments a supporter could make, based on theatre's contributions.

Challenge

1

Choose a theme and explain how two different traditions show it differently, and why.

2

Plan a short drama for your community's winter festival that would make two different contributions to the community. Explain both.

3

Why is it important to present Indigenous theatre as present-day and living, not only as something from the past?

Check your understanding

Quiz

1.

In ancient Greek theatre, the chorus ___.

2.

Commedia dell'arte actors usually ___.

3.

Which tradition uses slow, controlled movement, wooden masks and often features ghosts or spirits?

4.

Which is a theme that appears in many traditions?

5.

Which is a key contribution theatre makes to a community?

6.

Tomson Highway is ___.

For parents and teachers

Big idea: Grade 6 students demonstrate an understanding of some drama and theatre themes and traditions from a variety of times, communities and places (B3.1) and identify and describe key contributions drama and theatre make to the community (B3.2).

How to help:

  • Look for drama in your community together: school shows, community theatre, library programs, festivals. Many are free or low cost.
  • Watch short videos about Noh or commedia dell'arte from museums or theatre companies, and ask, "What themes do you notice? How is it different from shows we watch?"
  • Talk about a play or movie's theme: "Have you seen this idea in another story?"

Safety: an adult should do or supervise the cutting for masks, including the eye holes.

Common difficulties:

  • Ranking traditions ("that one is weird"). Encourage curiosity: "Why might people there enjoy it?"
  • Thinking of Indigenous theatre only as the past. Emphasize that Indigenous playwrights and companies are creating new work today.
  • Seeing theatre only as entertainment. Prompt with the contribution list: people, stories, awareness, jobs, learning.