Grade by Grade
B. Drama / D. Visual Arts · Drama and Visual Arts

Drama: One Issue, Many Perspectives

B1.1 B2.1About 45 minutes
Learning goals
  • I can identify issues, themes and ideas in fiction and non-fiction sources.
  • I can explore an issue in role from more than two perspectives.
  • I can use writing in role and hot seating to understand why a character thinks the way they do.
  • I can share a personal response and a preference, with reasons and connections.

Words to know

perspective
The way one person sees an issue, based on their needs, experiences and feelings. Also called a point of view.
stakeholder
Anyone who is affected by a decision and cares how it turns out.
issue
A problem or question people can disagree about.
theme
A big idea about life that a story or drama explores.
source
Where the ideas for a drama come from: a story, a news report, an interview, a photograph and so on.
hot seating
A convention where one person sits in the "hot seat" in role and answers questions from the group.
writing in role
Writing as your character would, for example a letter, a diary entry or a speech.
preference
Which part or choice you like best, and why.

Remember from Grade 5

Last year you learned that an issue is a problem people argue about and a theme is a big idea a story makes you think about. You explored a moral dilemma in the Birch Bay drama with tableaux and thought tracking, and you gave personal responses with a feeling, a reason and a connection.

In Grade 6 you will look at a range of issues, themes and ideas, and you will step into many perspectives, not just two sides. Real issues usually have more than two sides!

Is it really just yes or no?

Imagine your town wants to turn the outdoor rink at the park into a basketball court.

  • A hockey player is upset.
  • A basketball player is excited.
  • A parent who walks a baby in a stroller wants a smooth path more than either.
  • The person who floods the rink every winter night wonders if they will still be needed.

That's four people and four different ways of seeing the same issue. Each way of seeing is a perspective. Drama lets you try on each one, like trying on different pairs of glasses.

An empty outdoor hockey rink with boards and nets in a snowy town park at dusk.
Imagine this rink becoming a basketball court. Each person who uses it might see the change in a different way. AI-generated image
One issue, four pairs of glasses“Should the outdoor rink become a basketball court?”“No! Wherewill I skate?”hockey player“Yes!Finally!”basketball player“I just want asmooth path.”parent with a stroller“Will I stillbe needed?”rink flooder
The rink example as a picture: four people look at the same issue through four different "pairs of glasses". Each one is a perspective.

Our Grade 6 drama: the Cedar Hill Community Garden

A made-up (fiction) story runs through the drama lessons in this unit.

Cedar Hill is a small Ontario town. Beside the library is an empty lot that neighbours turned into a community garden years ago. People grow tomatoes, beans, herbs and flowers in raised beds. The Grade 6 class at Cedar Hill Public School grows pumpkins there every fall.

Now a health clinic is opening across the street. The clinic has no parking lot. The town council suggests paving the garden to make one.

Some of the stakeholders (people affected):

  • Mr. Tremblay has gardened here for twelve years. He says the garden is where he got to know his neighbours.
  • Dr. Haddad works at the new clinic. Many of her patients are older people and people who use wheelchairs or walkers. A long walk from far-away parking is hard for them, especially on icy winter sidewalks.
  • Jada, a Grade 6 student, helps grow the class pumpkins. She also visits the clinic for her asthma check-ups.
  • Mrs. Lin owns the bakery next door. Customers say they can never find parking, but she buys herbs from the gardeners for her bread.
  • Councillor Beaulieu has to make a decision that is fair for the whole town, with a small budget.
Garden orparking lot?Mr. Tremblaykeep gardenDr. Haddadneeds parkingJadaclass pumpkinsMrs. Lincustomers park
A perspective web. In the centre is the issue: garden or parking lot? Around it are four stakeholders and what each one cares about most: Mr. Tremblay wants to keep the garden, Dr. Haddad needs parking for patients, Jada thinks about the class pumpkins, and Mrs. Lin wants customers to be able to park.

Ideas from fiction and non-fiction

The Cedar Hill story is fiction. But strong dramas often mix in non-fiction (true information) so the issue feels real. Here are some true facts the characters could use:

  • Community gardens are shared spaces where neighbours grow food and flowers. Many Canadian towns and cities have them.
  • Flowering plants in gardens give food to pollinators like bees and butterflies.
  • Accessible parking spaces are reserved for people with a disability parking permit, and they are usually close to the entrance.

You can also find ideas in sources from diverse communities, times and places: a news story about your own town, an interview with a grandparent about how their neighbourhood changed, a picture book, or a story from another country.

Issues, themes and ideas

One source can hold several issues and themes. The Cedar Hill story raises issues such as Should the garden become a parking lot? and How can the clinic be easy to reach for everyone? Its themes could include community, fairness, health and compromise.

SourceFiction or non-fiction?An issueA theme or idea
A kids' news story about a town deciding whether to close a library branchnon-fictionShould the town close the branch to save money?the value of shared places
A novel about a girl whose family moves from the city to a farmfictionShould she try to fit in or keep her old ways?belonging; change
An interview with a grandparent about their first winter in Canadanon-fictionHow can a community welcome newcomers?courage; kindness
The folk tale "The Little Red Hen"fictionShould the hen share bread with animals who didn't help?fairness; hard work
Issues, themes and ideas from different sources
Worked example

Example: Mapping the perspectives in Cedar Hill

Before acting, let's map what each stakeholder wants, why, and what they are afraid of.

  1. Mr. Tremblay wants to keep the garden. Why: it's where he made friends after he retired. Fear: being lonely again.
  2. Dr. Haddad wants parking close to the clinic. Why: her patients who use walkers or wheelchairs can't travel far, especially in snow. Fear: patients missing appointments.
  3. Jada wants... both! Why: she loves the pumpkins, and she knows the clinic helps kids with asthma like her. Fear: having to pick a side in front of her class.
  4. Mrs. Lin is not sure. Why: parking would help her business, but she buys herbs from the garden. Fear: losing customers either way.
  5. Councillor Beaulieu wants a fair decision. Why: she was elected to serve everyone. Fear: making half the town angry.
  6. Notice: nobody is a villain. Every perspective has good reasons.

Mapping wants, reasons and fears shows five perspectives on one issue. This helps you play each role fairly and truthfully.

Worked example

Example: Hot seating Dr. Haddad, then giving a response and a preference

Your grown-up sits in the hot seat as Dr. Haddad. You ask questions. Then you step out of role and respond.

  1. You: "Why can't your patients park on the street?" Dr. Haddad: "The street spots fill up by 8 o'clock. Last week Mrs. Patel walked three blocks with her walker on an icy sidewalk."
  2. You: "Do you like the garden?" Dr. Haddad: "I do! I even tell patients that gardening is good exercise. That's what makes this so hard."
  3. Step out of role. Respond: "I felt surprised, because I thought Dr. Haddad would not care about the garden, but she does."
  4. Connection: "It reminds me of my grandpa, who needs to park close to the arena to watch my games."
  5. Preference: "I preferred the hot seating to the map, because hearing her answers made her feel like a real person."

Hot seating revealed a new side of the character. A strong response includes a feeling, a reason, a connection, and now in Grade 6 a preference with a reason.

Just for fun

Why did the drama student bring four pairs of glasses to class?

So she could see the issue from every perspective! 👓

Exploring many perspectives respectfully

  • Play every role as if you believed it. Give each character their best reasons.
  • When you play someone from a community different from yours, show a real, specific person, not a joke or a fake accent.
  • Disagree with ideas, not with people. Out of role, you are friends again.
  • If an issue feels too personal, it is okay to pick a different one.
Hands-on activity

Kitchen-table town hall

You need: paper, a pencil, a family member or two (stuffed animals can be extra characters), and a table.

  1. Write each Cedar Hill character's name on a card: Mr. Tremblay, Dr. Haddad, Jada, Mrs. Lin, Councillor Beaulieu.
  2. Each person picks a card. (If you are only two people, each play two roles: switch chairs when you switch roles.)
  3. Writing in role: each character writes a short note to the council (3 or 4 sentences) that starts: "Dear Council, I am writing because..."
  4. Town hall meeting in role: Councillor Beaulieu runs the meeting. Each character reads their note and answers one question.
  5. Hot seat: choose one character to sit in the hot seat for two minutes of questions.
  6. Step out of role. Together, name two issues and two themes in the drama.
  7. Each person gives a personal response: a feeling, a reason, a connection, and which part of the activity they preferred and why.

Bonus: find a short non-fiction source about your own community (a local news story, or ask a neighbour about a change in your area). Map the perspectives on that issue too.

Your turn

1

What is a perspective?

2

Name three stakeholders in the Cedar Hill garden issue and what each one wants.

3

Write the main Cedar Hill issue as a question.

4

Name two themes in the Cedar Hill story.

5

Is an interview with a real gardener fiction or non-fiction?

6

What happens in hot seating?

7

What new part does a Grade 6 personal response include, besides a feeling, a reason and a connection?

More practice: warm-up

1

True or false: Most real issues have only two sides.

2

What do we call anyone who is affected by a decision?

3

Is a picture book about a talking moose fiction or non-fiction?

4

Name one kind of writing in role.

5

Finish the sentence: "I preferred ___ because ___."

More practice: on your own

1

Why is it important to give every character in an issue drama good reasons?

2

Mrs. Lin is "not sure." Why does an unsure character make the drama more interesting?

3

Suggest a new stakeholder for Cedar Hill who has not been mentioned, and explain their perspective.

4

Give a personal response to the Cedar Hill drama with all four parts: feeling, reason, connection and preference.

5

Turn this non-fiction headline into a drama issue with three perspectives: Town plans to close its outdoor pool for repairs all summer.

Challenge

1

Plan a compromise for Cedar Hill that answers at least three stakeholders' needs. Then explain which perspective might still be unhappy and why.

2

Two students watched the town hall. One preferred Mr. Tremblay's speech; the other preferred Dr. Haddad's. Can both preferences be valid? Explain.

3

Explain how using a non-fiction fact can change a character's argument. Use one of the true facts from the lesson.

Check your understanding

Quiz

1.

A perspective is ___.

2.

Which is an issue?

3.

In hot seating, the person in the hot seat ___.

4.

Which source is non-fiction?

5.

Which response includes a preference?

6.

Why does Cedar Hill have no clear "bad guy"?

For parents and teachers

Big idea: In Grade 6, drama exploration focuses on identifying and examining a range of issues, themes and ideas from a variety of fiction and non-fiction sources and diverse communities, times and places (B1.1). Students express personal responses and preferences and make connections to themes and issues in their own and others' drama (B2.1). The step up from Grade 5 is moving from "two sides" to many perspectives.

How to help:

  • When a local issue comes up (a new building, a road closure, a school rule), ask: "Who is affected? How would each person see it?"
  • Play the hot-seat role with energy and real reasons. Children learn a lot from an adult who plays a perspective fairly.
  • Ask for preferences with reasons: "Which part did you like best? What made it work for you?"

Common difficulties:

  • Two sides only. Prompt: "Who else might care? Someone older? Someone younger? Someone who works there?"
  • Making one character a villain. Ask: "What is this person afraid of? What would make them a good person in their own eyes?"
  • Responses without reasons. Use the four-part frame: feeling, reason, connection, preference.

Respect note: if your child plays a person from a community different from their own, guide them away from accents or jokes and toward a specific, real-feeling person.

The Cedar Hill story continues in the next three drama lessons, so keep the character cards and notes.