Grade by Grade
Reading and Literature Studies · Reading Informational and Graphic Texts

Designing an Independent Non-Fiction Study: Choosing Challenging Texts and Strategies

1.1 1.2About 70 minutes
Learning goals
  • I can judge how complex and challenging a non-fiction text is, using four dimensions.
  • I can design an independent study with one focus question, a core text and satellite texts from diverse cultures, periods and forms.
  • I can set a specific purpose for reading each text in my study.
  • I can select reading strategies independently, switching between surveying, searching and studying, and justify my choices.

Words to know

complex text
A text that demands more of the reader in ideas, language, structure or background knowledge.
independent study
A student-designed reading project built around a focus question, often called an ISU (independent study unit) in Ontario schools.
core text
The main, usually book-length, text at the centre of a study.
satellite text
A shorter or different text chosen to extend, test or contrast with the core text.
inspectional reading
A quick, systematic first look at a whole book (title, contents, introduction, index, conclusion) to learn its structure and argument before reading closely.
purpose for reading
The specific question or job a reader brings to a text, which decides how it should be read.
reading mode
A way of reading set by speed and purpose: surveying, searching or studying.

Hook: the 300-page week

In first-year university, a history or sociology course can assign a book chapter, two journal articles and a government report in a single week. Nobody reads all of that slowly, word by word, in the same way. Strong readers make decisions: what to read closely, what to skim, what to search for, and what to skip for now.

This unit trains those decisions for informational and graphic texts: essays, editorials, long-form journalism, book-length non-fiction, speeches, reports, scholarly articles, data graphics and graphic non-fiction. (Novels, plays, poems and short stories are studied in the sibling unit Reading Literary Texts.) In Grade 12 you are expected to choose texts and strategies independently and to handle complex and challenging texts. This first lesson shows you how.

Remember from Grade 11

In ENG3U you built a reading list that crossed cultures, periods and forms, wrote annotated bibliography entries (summarize, evaluate, reflect), chose before, during and after strategies to match what made each text hard, and rated an essay on a semantic differential scale. Grade 12 keeps all of that and raises the bar: the texts are longer and harder, the choices are yours, and you are expected to use strategies with increasing facility, which means quickly and without being told.

Step 1: judge how challenging a text is

Before you choose a text, or decide how to read it, ask what makes it hard. Teachers and researchers look at four dimensions:

  • Ideas. Are the concepts abstract (justice, systemic racism, sustainability)? Is the thesis stated or only implied? Is there irony?
  • Language. Are there academic or technical words, long sentences, a formal register, or older English?
  • Structure. Is it long, divided into many sections, or arranged out of time order? Does it use notes, figures or appendices?
  • Knowledge demands. Does it assume you know a history, a set of data, a law, or other texts?

A text can be easy in one dimension and hard in another. A short speech from 1852 may have plain structure but heavy knowledge demands. A government report may have plain language but a structure that is hard to navigate.

What makes a non-fiction text complex and challenging?IDEASabstract concepts, several claims,irony or an implied thesisLANGUAGEacademic or technical words,long sentences, formal registerSTRUCTUREmany sections, non-linear order,notes, figures, appendicesKNOWLEDGE DEMANDSassumes history, data literacyor other texts the reader knows
Four dimensions of text complexity. Naming the specific difficulty is the first step in choosing the right strategy.

Step 2: design the study

A strong independent study has:

  1. One focus question that is open, arguable and narrow enough to answer, for example How do writers make the public see a problem that is built into a system rather than caused by one person?
  2. A core text: usually one book-length work you read in full.
  3. Three to five satellite texts that extend, test or contrast with the core text. Together they should cross at least two periods, two cultures or perspectives, and three forms, including at least one graphic text.
  4. A purpose for each text: one sentence saying what you need from it.

Here is a model. The core text is Tanya Talaga's Seven Fallen Feathers: Racism, Death, and Hard Truths in a Northern City (House of Anansi, 2017). Talaga, a journalist who is Anishinaabe and a member of Fort William First Nation, investigates the deaths of seven First Nations high school students in Thunder Bay, Ontario, between 2000 and 2011. The students had left their home communities in the north because there was no high school for them there. The book won the 2018 RBC Taylor Prize for literary non-fiction.

Focus: How do writers make the public see a systemic problem?1962 science bookSilent Spring2003 lecturesThe Truth About Stories2015 reportTRC Calls to Action2020 graphic journalismPaying the LandCORE TEXT (2017)Seven Fallen FeathersTanya Talaga
A core-and-satellite design. Each satellite does a job: Rachel Carson's Silent Spring (1962) shows an older way of making a hidden problem visible; Thomas King's The Truth About Stories (2003 Massey Lectures) examines how stories shape what a society believes; the Truth and Reconciliation Commission's 94 Calls to Action (2015) is a formal report form; Joe Sacco's Paying the Land (2020) is graphic journalism about the Dene in the Northwest Territories.
Worked example

Let's write purposes for each text in a study

Write a one-sentence purpose for reading for each text in the model study above. Show why each text earns its place.

  1. **Core: Seven Fallen Feathers.** Purpose: to trace how Talaga connects seven individual lives to the history of education and policing in northern Ontario, so the problem appears as a system rather than seven separate tragedies.
  2. ***Silent Spring* (1962).** Purpose: to compare a 1960s science writer's methods for making an invisible problem (pesticide harm) visible to the public, especially her opening, an imagined town in A Fable for Tomorrow. This adds a different period and subject.
  3. ***The Truth About Stories* (2003).** Purpose: to borrow King's idea that the stories a society tells shape what it can see, and to test it against how Talaga uses the students' stories. This adds a lens and a lecture form.
  4. TRC Calls to Action (2015). Purpose: to see how a formal report states the same kind of problem in numbered recommendations, and to compare report language with Talaga's narrative journalism. This adds a form.
  5. ***Paying the Land* (2020).** Purpose: to analyse how a graphic text shows a community's history through images and layout. This adds a graphic text and a different Indigenous nation's experience, so the study does not treat all First Nations as one.

Every text has a job tied to the focus question. If you cannot write a purpose sentence for a text, it probably does not belong in the study.

Step 3: choose strategies independently

At Grade 12 the key skill is switching modes inside one text.

  • Survey (skim): read the table of contents, introduction, conclusion, headings and index to map the whole. Mortimer Adler and Charles Van Doren's guide How to Read a Book calls a systematic version of this inspectional reading.
  • Search (scan): hunt for one thing: a name, a date, a statistic, every use of a key term (the index is your friend).
  • Study (close read): annotate, paraphrase, question and reread the passages that carry the argument.

For book-length non-fiction, add a chapter log: after each chapter, write one sentence for its claim, one for its best evidence, and one question. This stops a 300-page argument from turning into a blur.

SURVEY (skim)contents, intro, conclusion,headings, indexGoal: map the wholeSEARCH (scan)hunt for one name, date,statistic or key termGoal: find a targetSTUDY (close read)annotate, paraphrase,question, rereadGoal: understand deeplySkilled readers switch modes inside one text, for different parts and purposes.
Three reading modes. A good plan for a long book might be: survey the whole book first, study the chapters that carry the argument, and search the rest when you need a fact.
If the text is...the main challenge is...so choose...
a 300-page work of non-fictionholding a long argument in mindinspectional reading first, then a chapter log
a scholarly journal articledense structure and vocabularyread the abstract, introduction and conclusion first; then methods and results
a speech from 1852historical contexta short background search on the occasion and audience before reading
a formal report with 94 recommendationsfinding what matters for your questionsearch the contents and headings; study only the relevant sections
a graphic memoirmeaning carried by images and layoutread each page twice: once for story, once for visual choices
Worked example

Let's choose and justify strategies for three texts

A student has one week to read for the study above: Chapter 1 of Seven Fallen Feathers, the Calls to Action under the heading Education, and the first chapter of Paying the Land. Plan the reading and justify each choice.

  1. Name the challenge first. Chapter 1: a long narrative that mixes history and individual stories. Calls to Action: a list format where only some items fit the question. Paying the Land: meaning in images as well as words.
  2. ***Seven Fallen Feathers, Chapter 1:* survey the chapter (headings, first and last paragraphs), then study it with a chapter log. Why: the challenge is following how historical background connects to one student's story.
  3. Calls to Action, Education: search the headings for the education section, then study only those items, paraphrasing each in plain words. Why: the challenge is finding the relevant part of a long document, not understanding every line.
  4. ***Paying the Land:* read the chapter once for the story, then reread three pages slowly, noting what each image adds that the words do not. Why: the challenge is visual meaning, which a single fast read misses.
  5. Check: each strategy answers a named challenge, and the plan fits a week.

The plan names the challenge, matches a strategy to it and justifies it in one sentence. That three-part pattern is what teachers look for when the curriculum says select the most appropriate strategies.

Just for fun

Montaigne called his short pieces Essais, from the French for attempts. A reading list of 47 books for one summer is also an attempt. Usually an unsuccessful one.

Hands-on activity

Design your own independent study

You need: a library card or your public library's free website, a notebook, and about 40 minutes.

  1. Write a focus question about an issue that matters to you (for example climate and the North, sport and identity, technology and privacy, or language revitalization).
  2. Choose a core text (a book-length work of non-fiction). Use the library catalogue's subject headings to find one.
  3. Choose three or four satellite texts: at least two periods, two cultures or perspectives, three forms, and one graphic text.
  4. Write a purpose sentence for every text.
  5. For the core text, do inspectional reading for 10 minutes: contents, introduction, conclusion, index. Write two sentences predicting the book's main argument.

What to look for: a question that is open, not a yes/no fact; real variety (not four articles from one website); purposes that each do a different job; a prediction that names an argument, not just a topic.

Your turn

1

Name the four dimensions of text complexity.

2

An 1852 speech has short paragraphs but refers to many events its first audience knew. Which dimension makes it challenging?

3

What is the difference between a core text and a satellite text?

4

What is inspectional reading?

5

Which reading mode would you use to find every page where a book mentions the year 1966? Why?

6

What does Seven Fallen Feathers investigate?

7

What three parts should a strategy justification contain?

More practice: warm-up

1

Is a scholarly journal article an informational text or a literary text?

2

Name one part of a book you read during inspectional reading.

3

What is a chapter log?

4

Who wrote Silent Spring, and when was it published?

5

How many Calls to Action did the Truth and Reconciliation Commission issue in 2015?

More practice: on your own

1

Improve this focus question: Is climate change real?

2

A student's satellite texts are three opinion columns from the same newspaper in the same month. What is wrong, and how would you fix it?

3

Why might a reader survey a scholarly article before studying it?

4

Write a purpose sentence for adding Robin Wall Kimmerer's Braiding Sweetgrass (2013) to a study on How do writers bring Indigenous and scientific knowledge into conversation?

5

Why is it a mistake to read every satellite text with the same strategy?

Challenge

1

Explain how a study could include texts by several Indigenous writers and still fail the test of diverse perspectives. How would you fix it?

2

You have two hours for a 280-page book you need for one claim in an essay. Plan the reading with timings and justify it.

3

Choose the hardest dimension of complexity for a government report on drinking-water advisories, and design a strategy that targets it.

Check your understanding

Quiz

1.

Which dimension of complexity is the main challenge in a short speech that refers to many events its first audience knew well?

2.

In a core-and-satellite study, a satellite text should...

3.

Which is the strongest focus question for an independent study?

4.

Inspectional reading of a book means...

5.

Tanya Talaga's Seven Fallen Feathers is best described as...

6.

A student needs every mention of one statistic in a long report. The best mode is...

For parents and teachers

What this lesson teaches: ENG4U Reading and Literature Studies 1.1 (reading a variety of student- and teacher-selected texts from diverse cultures and historical periods, with specific purposes) and 1.2 (selecting and using the most appropriate reading comprehension strategies with increasing facility).

How to help at home:

  • Ask your teen to explain the focus question of their independent study and the job each text does.
  • Visit the public library or its website together and look at subject headings for book-length non-fiction.
  • When they face a long book, ask: What will you survey, what will you study, and what will you only search?

Common difficulties:

  • Too many texts, too little purpose. Ask for one purpose sentence per text; cut texts that have none.
  • Reading everything slowly. Encourage inspectional reading first; it is not cheating, it is how university students cope with heavy reading lists.
  • Diversity in name only. Check that texts differ in period, form and perspective, not just author.

Sensitive content: Seven Fallen Feathers deals with the deaths of young people, racism and grief. It is a common Grade 12 text, but preview it and talk with your teen about it.

Facts used: Seven Fallen Feathers: Racism, Death, and Hard Truths in a Northern City (Tanya Talaga, House of Anansi, 2017; 2018 RBC Taylor Prize); Silent Spring (Rachel Carson, 1962); The Truth About Stories (Thomas King, 2003 Massey Lectures); Truth and Reconciliation Commission of Canada, 94 Calls to Action (2015); Paying the Land (Joe Sacco, 2020); Braiding Sweetgrass (Robin Wall Kimmerer, 2013); How to Read a Book (Mortimer Adler and Charles Van Doren).