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C. The World, 1650–1789 · The World, 1650–1789

Society, Religion, Gender and the Arts in a Connected World

C3 C1 C2 A1.2 A1.4About 70 minutes
Learning goals
  • I can compare official social hierarchies in different societies with how people actually lived.
  • I can describe the roles and experiences of women in several societies between 1650 and 1789.
  • I can explain major religious movements and conflicts of the period around the world.
  • I can describe artistic and cultural developments in Europe, East Asia, South Asia, the Ottoman Empire and Africa.
  • I can analyse a visual primary source (a casta painting) for purpose and perspective.

Words to know

estate
One of the legal orders of society in France and other European states: clergy, nobility and commoners.
status order
An officially ranked set of social groups, such as samurai, farmers, artisans and merchants in Tokugawa Japan.
casta system
The colonial Spanish American classification of people by ancestry (Spanish, Indigenous, African and mixtures), used to rank them.
Pietism
A German Protestant movement stressing personal faith, Bible study and good works.
Great Awakening
A wave of emotional Protestant revival in British North America in the 1730s and 1740s.
Hasidism
A Jewish religious movement founded in eastern Europe in the 1700s, stressing joyful devotion and mystical prayer.
Baroque
A dramatic, ornate style in European art, architecture and music of the 1600s and early 1700s.

How did people see their place in the world?

The previous lessons focused on rulers, wars and trade. This lesson asks about identity: how people were ranked, how they worshipped, what roles men and women were expected to play, and what they created. Strand C asks you to analyse how such ideas and practices shaped identity, citizenship and heritage, and many of them still shape our world.

Social orders: ideals and realities

Most societies had an official ranking of social groups. In practice, people's lives often did not match the ideal.

  • Europe. In France, society was divided into three estates: clergy, nobility and everyone else. The first two had legal privileges, such as exemption from the main direct tax. East of the Elbe River, in Prussia, Poland and Russia, most peasants were serfs. Yet wealthy commoners (bankers, merchants, lawyers) often lived better than poor nobles.
  • Tokugawa Japan ranked samurai above farmers, artisans and merchants. Osaka merchants grew rich and funded the arts, while many samurai fell into debt.
  • Qing China honoured the scholar-gentry, men who had passed the civil-service examinations. Merchants were officially below farmers, but many bought land and educated their sons for the exams.
  • South Asia had complex systems of caste (jati) that shaped work, marriage and community, but people also moved through military service, trade and religious movements.
  • The Americas developed racial hierarchies. In Spanish America, the casta system ranked people by ancestry; in British and French colonies, law tied enslavement to African descent (see the lesson on the slave trade).
Two official social orders (ideals, not exact descriptions)France: three estatesKing1st: clergy2nd: nobility3rd: everyone elseTokugawa Japan: status orderShogunSamuraiFarmersArtisans, merchantsIn both, wealth did not match rank: rich merchants were officially low, while manynobles and samurai fell into debt. Some groups were placed outside the official order.
Official orders put rulers and warriors or clergy at the top. Comparing two societies shows a common gap between official rank and real wealth.

Women's lives

In almost every society, laws and customs placed women under the authority of fathers and husbands, and excluded them from most formal political offices. But women's roles were varied and often powerful:

  • Rulers and regents: Maria Theresa of Austria and Catherine II of Russia ruled great powers. In Africa, Queen Njinga of Ndongo and Matamba (died 1663) resisted the Portuguese for decades, and in Asante the queen mother (ohemaa) had an important role in choosing the king.
  • Indigenous nations: among the Haudenosaunee, clan mothers chose and could remove chiefs, a responsibility they still hold today.
  • Law and property: in the Ottoman Empire, court records show women buying and selling property and going to court to defend their rights.
  • Culture and learning: Parisian salon hostesses shaped Enlightenment debate; in Qing China, educated women in the Jiangnan region wrote and published poetry; Mughal princesses such as Jahanara were patrons of buildings and learning.
  • Work: most women worked in farming, spinning and weaving, trade and domestic service; widows often ran family businesses.
  • Constraints: among many Han Chinese families, foot binding marked status and limited mobility; Manchu women did not bind their feet. In Europe, Rousseau's influential Émile (1762) taught that women's education should serve men.

Religion: revival, reform and conflict

  • Toleration and intolerance. France revoked the Edict of Nantes (1685); England's Toleration Act (1689) protected most Protestant dissenters. Joseph II's Toleration Patent (1781) protected Protestants and Orthodox Christians in Austria.
  • Protestant revival. Pietism spread in Germany; John Wesley began the Methodist movement in England; the Great Awakening swept British North America in the 1730s–1740s, and some revival preachers welcomed enslaved and free Black worshippers.
  • Jewish renewal. In eastern Europe, the Baal Shem Tov (died 1760) founded Hasidism, stressing joyful prayer; in Berlin, Moses Mendelssohn led the Haskalah.
  • Islamic reform. In Arabia, Muhammad ibn Abd al-Wahhab called for a return to what he saw as the original practice of Islam; his alliance with the ruler Muhammad ibn Saud (1744) laid foundations for the first Saudi state.
  • The Chinese Rites Controversy. Jesuits in China allowed Chinese Christians to honour ancestors and Confucius. Rival missionaries objected, and in 1715 the Pope banned the rites. The Kangxi emperor responded by restricting missionaries, and his successor banned Christianity (1724).
  • The Jesuits were expelled from Portugal, France and Spain and their empires (1759–1767), and the Pope suppressed the order in 1773.
Religious movements and conflicts (to scale)1699Sikh Khalsafounded1715Pope bans Chineserites for Catholics1738Wesley's conversion;Great Awakening1744Ibn Abd al-Wahhaballies with Ibn Saud1760Death ofthe Baal Shem Tov1773Pope suppressesthe Jesuits
Religious life changed across the world in this period, not only in Europe.

The arts

  • Europe. The Baroque style, dramatic and ornate, filled palaces such as Versailles and churches across Catholic Europe; composers such as Johann Sebastian Bach and George Frideric Handel (Messiah, 1742) wrote Baroque music. Later came lighter Rococo decoration, then Neoclassicism, inspired by ancient Greece and Rome, and the Classical music of Haydn and Mozart.
  • Edo Japan. Merchant wealth supported kabuki theatre, puppet theatre (bunraku) with plays by Chikamatsu Monzaemon, and ukiyo-e ("pictures of the floating world") woodblock prints. Matsuo Bashō perfected the haiku; his travel journal The Narrow Road to the Deep North recounts a journey of 1689.
  • Qing China. Cao Xueqin's novel Dream of the Red Chamber, written in the mid-1700s, portrays the decline of a wealthy family and is often counted among China's greatest novels. Imperial kilns at Jingdezhen produced porcelain prized worldwide.
  • South Asia. Rajput courts such as Kishangarh and Mughal workshops produced fine painting; the Jantar Mantar observatories were both science and architecture.
  • Africa and the Ottoman world. Asante artists made gold regalia and kente cloth; in Istanbul, the Nuruosmaniye Mosque (completed 1755) blended Ottoman and European Baroque forms.
The arts around the world, 1650–1789 (a sample)EuropeBaroque: Versailles,Bach, Handel;Classical: Haydn,MozartEdo JapanBashō's haiku;kabuki andpuppet theatre;ukiyo-e printsQing ChinaDream of the RedChamber; porcelain;court paintingSouth AsiaRajput andMughal painting;Jantar MantarobservatoriesWest Africa andthe OttomansAsante gold workand kente; OttomanBaroque mosquesArt reflected patrons (courts, merchants, religious bodies) and growingurban audiences who bought books, prints and theatre tickets.
A small sample of a very large subject. Notice how often merchants and cities, not only courts, paid for art.
Worked example

Modelled example: Reading a casta painting

In 18th-century New Spain (Mexico), painters produced casta paintings: series of usually 16 panels, each showing a mother, a father and a child, with labels naming the parents' and child's "casta" (for example, Spanish father, Indigenous mother, "mestizo" child). Many were sent to Spain. Analyse them as evidence.

  1. Describe: each panel shows a family in a home or market, with clothing, food and tools; the labels classify each person by ancestry; families with Spanish ancestry are often shown in richer settings.
  2. Origin and audience: painted by artists in New Spain, often for officials or for buyers in Spain curious about the colonies.
  3. Purpose: to present colonial society as ordered and to rank people by ancestry, reflecting a racial hierarchy that placed Spaniards at the top.
  4. Limits: real identities were more fluid: people's recorded casta could change between documents, and wealth and reputation mattered too. The paintings show an ideology, not a census.
  5. Significance: they help historians understand how racial thinking developed in the Americas, a legacy that still affects society today.

Casta paintings are strong evidence of how colonial elites wanted to classify and rank people, and of the rise of racial hierarchy, but weak evidence of how people actually identified themselves. Always ask what a visual source was made to do.

Just for fun

Funny but true: Wolfgang Amadeus Mozart wrote his first symphony at about age eight, in 1764, while his family was staying in London. Most of us were still learning to tie our shoes properly at that age.

Hands-on activity

A cultural time capsule

You need: paper or a device, and 30 minutes.

  1. Choose one work from the lesson: a Bach or Mozart piece, a Bashō haiku (in translation), a ukiyo-e print, a Rajput painting, a kente pattern, or the Nuruosmaniye Mosque. Find it online with a grown-up's help (museum and library websites are best).
  2. Write a museum label of about 100 words: what it is, who made it, for whom, when, and one thing it tells us about the society that produced it.
  3. Add a citation for where you found it (website name, title, date accessed).

Look for: accurate facts, a clear link between the artwork and its society (patron, audience, values), and a proper source note.

Your turn

1

What were the three estates in France?

2

Give one example where wealth did not match official rank.

3

Give two examples of women with power or influence in this period.

4

What was the Chinese Rites Controversy?

5

Name two religious revival movements of the 1700s.

6

What is ukiyo-e?

7

What were casta paintings meant to show?

More practice: warm-up

1

Who founded Methodism?

2

Who wrote the haiku travel journal The Narrow Road to the Deep North?

3

In what year did the Pope suppress the Jesuits?

4

Which novel by Cao Xueqin portrays a wealthy family's decline?

5

Who chose and could remove Haudenosaunee chiefs?

More practice: on your own

1

Compare France's estates with Japan's status order.

2

How did the Chinese Rites Controversy show the limits of cultural exchange?

3

Why did merchant wealth matter for the arts in Edo and Europe?

4

Why do historians say women's lives in this period cannot be summed up as 'powerless'?

5

What do casta paintings reveal about colonial society, and what do they hide?

Challenge

1

"Religion in the 1700s was in decline because of the Enlightenment." Evaluate this claim.

2

Compare the position of women in two societies from different continents in this period, using specific evidence.

3

Choose one work of art from the lesson and argue for its historical significance.

Check your understanding

Quiz

1.

Which group made up France's First Estate?

2.

Who chose and could remove chiefs among the Haudenosaunee?

3.

What happened in the Chinese Rites Controversy?

4.

Who founded Hasidism?

5.

What were ukiyo-e?

6.

What is the main limitation of casta paintings as evidence?

For parents and teachers

Big idea: This lesson is centred on C3 (ideas, practices and identity) with links to C1 and C2, and practises gathering evidence (A1.2) and analysing a visual source (A1.4).

How to help: Listen to a short Bach or Mozart piece, or look at a ukiyo-e print from a museum website, together. Ask: Who paid for this, who enjoyed it, and what does it tell us about them?

Sensitivity: Religion and gender are presented historically; avoid generalizing about any present-day community. Casta paintings involve racial classification; discuss them as evidence of racism, not as accurate descriptions.

Common difficulties: Assuming official hierarchies describe reality; assuming religion faded in the 1700s. Encourage comparisons across at least two continents.