Grade by Grade
A. Dance / C. Music · Music and Dance

Music: Music, Society and Change: Past and Present

C3.1 C3.2 C2.1About 45 minutes
Learning goals
  • I can analyse social, political and economic factors that affect the creation of music.
  • I can explain how national anthems, protest songs and activism through song, including by First Nations, Métis and Inuit people, are shaped by their times.
  • I can compare and contrast music from the past and present, including traditional and contemporary Indigenous music and older and newer dance music.
  • I can express a detailed personal response about how music's role in our lives has changed.

Words to know

national anthem
A country's official patriotic song.
nationalism (in music)
Music that expresses pride in a country or people, often using its folk songs, landscapes or history.
activism
Taking action to bring about social or political change.
background music
Music played in places like stores or restaurants to create a mood, not for close listening.
fusion
Music that blends two or more styles or traditions.
mariachi
A Mexican musical tradition played by an ensemble with violins, trumpets and several kinds of guitars.

Remember from Grade 7

In Grade 7 you explored how music and the media shape identity, how music can build pride, including for First Nations, Métis and Inuit people, how music passes on through oral tradition, and how inventions like the piano and electric guitar changed music.

In Grade 8 you will analyse the social, political and economic factors that affect the creation of music, and compare and contrast music from the past and present. A good starting question: What might influence someone to write a certain kind of music?

Three kinds of factors (again!)

You met these factors in the dance part of this unit. They work for music too.

  • Social: love songs, dance music, lullabies and folk songs come from everyday life: families, friendships, celebrations and work.
  • Political: national anthems, songs for a cause, and nationalistic music come from history and power. Smetana's Má vlast (which includes The Moldau) expressed Czech pride at a time when the Czech lands were ruled by the Austrian (Habsburg) Empire.
  • Economic: music is also a business. Jingles sell products; background music in stores is chosen to create a mood that fits the store; musicians earn money from concerts, recordings and streaming.
A record player with a black vinyl record, beside a cassette tape and wireless earbuds on a wooden table.
Records, cassettes and streaming changed how people buy and hear music, an economic and social factor in what music gets made. AI-generated image

Political factors: "O Canada"

Canada's national anthem shows how music changes with its country.

  • 1880: "O Canada" was first performed in Québec City, with music by Calixa Lavallée and French lyrics by Adolphe-Basile Routhier.
  • 1908: Robert Stanley Weir wrote the English lyrics that became the best-known English version.
  • 1980: "O Canada" officially became Canada's national anthem.
  • 2018: the English line "in all thy sons command" was changed to "in all of us command", so the anthem includes everyone.

Each change reflects its time: who was writing, which language they spoke, and what Canadians believed about who belongs.

1880first performed inQuébec City (French)1908Robert Stanley Weirwrites English lyrics1980becomes Canada'sofficial anthem2018English line changed to“in all of us command”
A timeline of "O Canada". The music stayed the same while the words and the anthem's official status changed with Canada's history.

Activism through song

Music can call for change. First Nations, Métis and Inuit musicians and communities use song to strengthen identity and to speak up about rights, land, water and language.

  • During the Idle No More movement (winter 2012–2013), people gathered in public places for round dances with drums and songs to draw attention to First Nations rights and the protection of land and water. The songs brought people together and made the issue visible.
  • Many Indigenous artists today write songs in their own languages, helping to keep those languages strong. Singing in a language is itself a way of saying we are still here.

Ask about any song for change: Who wrote it? For whom? What did they want to change? How do the music's elements help (a repeated chorus everyone can sing, a steady drum that unites)?

Comparing past and present

The curriculum asks you to compare music from the past and present. Here are some pairs:

  • Traditional powwow song and electronic powwow music: in Grade 5 you met The Halluci Nation (formerly A Tribe Called Red), a First Nations group from Ottawa that blends powwow drumming and singing with electronic music. Both keep the powwow drum at the centre; one is sung live around a big drum, the other is made in a studio and played in clubs and at festivals.
  • Dance music then and now: 17th-century court dances like the minuet were played by string players for nobles; hip hop began at 1970s block parties with a DJ and turntables. Both are made for dancing and both reflect who was gathering, but the instruments, places and audiences are very different.
  • Chopin's waltzes (1800s, Polish composer, for solo piano) were written mostly for listening in homes and salons, even though the waltz was a dance. Mariachi music from Mexico, with violins, trumpets and guitars, has long been played at celebrations and is performed today around the world, including in Canada.
Traditional powwow songElectronic powwowsingers sit aroundelectronic beatsone large drumand basssung live atmade by DJsgatheringsand producerssongs oftenrecorded; playedpassed on by earat clubs, festivalspowwowdrum andsinging;pride inidentity
A Venn diagram comparing traditional powwow song with electronic powwow music. The overlap shows what has stayed the same: the powwow drum and singing, and pride in identity.
Worked example

Example: Let's analyse the factors behind a song

Let's analyse the factors behind "O Canada" using the timeline.

  1. Social: in 1880 it was written for a French-Canadian celebration in Québec City, so it was first sung in French.
  2. Political: it became the official national anthem only in 1980, after a law was passed. In 2018 a law changed one English line to include everyone. Governments and laws shaped its words and status.
  3. Economic: an anthem is not written to make money, but it is used at public events, sports games and schools, so it reaches millions of people for free.
  4. What stayed the same: Calixa Lavallée's music has stayed the same since 1880.
  5. Conclusion: the anthem is shaped mostly by social and political factors, and its changes mirror changes in Canada.

"O Canada" shows how social and political factors affect what a song says and how it is used.

Worked example

Example: Let's compare and contrast music from the past and present

Compare a minuet from the 1600s–1700s with a hip hop track today.

  1. Purpose: both were made for dancing (and listening).
  2. Who and where: the minuet: nobles at court. Hip hop: young people at 1970s block parties in the Bronx, now worldwide.
  3. Elements: minuet: 3/4 time, stately tempo, strings and keyboard, homophonic texture. Hip hop: usually 4/4, a strong beat from drum machines or samples, rapped lyrics.
  4. Factors: the minuet needed wealthy patrons to pay musicians (economic) and showed good manners at court (social). Hip hop began with little money: turntables, records and a microphone (economic), and gave young people a voice (social and political).
  5. Personal response: Both show that people have always made music for gathering and moving, but who gets to make and hear the music has changed a lot.

A comparison names similarities, differences, the factors behind each, and ends with your own response.

Just for fun

What's the most musical part of a grocery store?

The bar codes. 🛒🎶 (Every bar is exactly one item long.)

Hands-on activity

Past and present playlist

You need: a way to listen to music with a grown-up, paper and a pencil.

  1. Ask an older family member or neighbour: What music was popular when you were my age? Where did you hear it? How did you get it? Write down their answers.
  2. Make a two-song playlist: one song they chose and one you choose. Listen together.
  3. Make a chart comparing the two songs: tempo, instruments (timbre), texture, lyrics, where people heard it, and how they paid for it (economic factor).
  4. Next time you are in a store, notice the background music. What mood does it create? Why might the store have chosen it?
  5. Write a detailed personal response: How has music's role in people's lives changed between their time and yours? Use at least three musical terms.

Your turn

1

Give one social, one political and one economic factor that can affect the creation of music.

2

Who wrote the music for "O Canada", and when was it first performed?

3

When did "O Canada" officially become Canada's national anthem?

4

What change was made to the English lyrics in 2018, and why?

5

How did songs and round dances play a role in Idle No More?

6

Name one similarity and one difference between traditional powwow song and electronic powwow music.

7

Why might a store choose its background music carefully?

More practice: warm-up

1

What is a national anthem?

2

What is activism?

3

What is fusion music?

4

Name three instruments in a mariachi ensemble.

5

Who wrote the English lyrics of "O Canada" in 1908?

More practice: on your own

1

Why is Smetana's Má vlast called nationalistic music?

2

Compare Chopin's waltzes with mariachi music: one similarity and one difference.

3

Explain how economic factors helped hip hop emerge in the 1970s.

4

How can singing a song in an Indigenous language be a form of activism?

5

Write a detailed personal response to this question: Has music become more or less important in people's lives?

Challenge

1

Choose a song for change (any time period, any culture). Analyse it: who created it, for whom, what they wanted to change, and how at least two musical elements support the message. Use only facts you have checked in a reliable source.

2

"O Canada" has had the same music since 1880, but its words and status changed. Explain why the words of a song might change more easily than its music, using political and social factors.

3

Compare and contrast music from the past and present: a traditional Inuit katajjaq (throat-singing game, which you studied in Grade 6) and a contemporary song by an Inuk artist who blends throat singing with other styles. Give two similarities and two differences, and the factors behind them.

Check your understanding

Quiz

1.

Background music chosen by a store to create a mood that helps sales is mainly a(n) ___ factor.

2.

"O Canada" was first performed in ___.

3.

"O Canada" officially became the national anthem in ___.

4.

Round dances with drums and songs in public places were part of which movement?

5.

Music that blends powwow drumming with electronic beats is an example of ___.

6.

Smetana's Má vlast is an example of ___ music.

7.

Which is a political factor in the creation of music?

For parents and teachers

Big idea: Students analyse some of the social, political and economic factors that affect the creation of music (C3.1) and compare and contrast music from the past and present (C3.2), expressing detailed personal responses (C2.1). The curriculum's examples include national anthems, the purposes and effects of Indigenous activism through song, and traditional and contemporary Indigenous music.

How to help at home:

  • Share the music you loved at your child's age, and talk about how you listened to it (radio, records, tapes, CDs, downloads).
  • Notice background music together in stores and restaurants.
  • Sing "O Canada" and talk about its history and the 2018 change.

Common difficulties:

  • Thinking old music is boring and new music is better (or the reverse). Encourage fair comparisons using musical terms.
  • Unchecked facts. When researching songs and artists, check facts in two reliable sources.
  • Talking about Indigenous music only in the past tense. First Nations, Métis and Inuit musicians are creating music today in many styles.